Keep it Functional - A Peep into Alfaz Miller’s Architecture.
Alfaz Miller is nothing if not consistent. Just look through his practice, that is nearly five decades old, you will find all his projects share this sense of ‘stunning functionality’. His straight -forward constructions with clean lines and sensual uses of light, shape, and natural materials make up a decidedly sophisticated body of work.
We recently caught up with the renowned architect to talk about his approach to design and the evolution of his practice and the industry.
When did you decide you wanted to become an architect? What inspired this decision?
Architecture, to me, has always represented a satisfying amalgamation of my various interests: I loved to sketch and was interested in science and math. I aspired to have a firm of my own. I established ABM Architects soon after achieving my Bachelor of Architecture from Sir JJ School of Architecture in 1972. It was Architect T. Khareghat, who was the visiting faculty that encouraged me.
How would you describe your work?
I would describe my work as sensible and contextual. The firm enjoys a reputation for architecture and design solutions that are varied, comprehensive, and most importantly, client focused. Every one of my creations aims to integrate a timeless aesthetic with functional design, an objective that has been at the core of the firm’s culture since its inception.
When and how did your work first start getting recognized? Who was your first client?
Like I mentioned, I established ABM Architects soon after achieving my Bachelor of Architecture from JJ School of Architecture in 1972. My success story was triggered by the IIID Design Award 1990 for best office interior for the restoration of the ANZ Grindlay’s Bank Fort office in Mumbai, a project that overcame challenges posed by a design intervention in a functional workspace. The project cemented ABM Architects’ reputation for creating solution-driven design programs, and prioritizing quality of work and timelessness. Frankly, I do not remember my first client or design assignment, but I know it was a small project.
Can you describe an evolution in your work from when you began until today?
Evolution is an ongoing process, and you mature with experience. Having practiced for nearly 50 years, I think the adaptation to changing technology, both in the design studio and at site, has been the biggest evolution over the years.
Which project has given you the most satisfaction thus far?
There are several projects, but I recall being gratified with the interior design of Jindal Centre in Delhi about 20 years ago. With the extensive use of stainless steel, it was a landmark project. I am proud to be redesigning it again after so many years.
What challenges do you and your industry face today?
The main challenge is to get the liberty to design with the least amount of client interference and, tight budgets.
What have you seen lately that's sparked your interest?
The tech tools available for design today really fascinate me.
Which architects from the past do you admire the most?
Without a doubt, it’s Geoffrey Bawa and his work in Sri Lanka. I admire his ability to interpret tropical architecture in a contemporary context.
What about amongst those still working today?
Although he passed way recently, I really admire Kerry Hill and his design vocabulary and works.
What advice would you give to young architects that are just starting their practice?
It is design with a passion. If you want to do lot of other things in life, please do not pursue architecture.
Words by Terrene Desk
